The Dryden Ensemble Returns!


Saturday, April 19 at 4:00 pm

Baroque Passion: Musical Meditations on Holy Week


Daniel Swenberg, Lisa Terry, Webb Wiggins,

and guests Clara Rottsolk and Arnie Tanimoto

perform works by Bach, Marais, Ferrandini, Purcell, Reusner, and Corrette.


Princeton Theological Seminary Chapel

Admission is free


Parking is available in the lots between Stockton & Mercer Streets, 

with an entrance off Library Place.

To see a map, click here.



The Dryden Ensemble will complete its Phoenix Season with a program of profoundly moving musical contemplations on themes of Holy Week. The program features two guests, renowned soprano Clara Rottsolk and gambist Arnie Tanimoto, who will join Dryden regulars Daniel Swenberg (artistic director/lutes), Lisa Terry (viola da gamba), and Webb Wiggins (chamber organ). Giovanni Battista Ferrandini’s sacred cantata depicts scenes of the crucifixion and the interaction of Jesus and the thieves. This extraordinary cantata features the unusual ensemble of two violas da gamba and obbligato lute, soprano and organ. We chose works featuring this ensemble to create our program: a pastiche of contemplative works arranged and inspired by Bach’s Passions. The program opens at the tomb with Marin Marais’s devastating and moving “Tombeau de Monsieur Meliton” for two viols and Purcell’s divine hymn, “O Lord, what is Man?” Selections of chorales set by Esaias Reusner alternate with Bach’s “Mein Heiland, dich vergess ich nicht” from his St Mark Passion, featuring two obbligato viols and lute. The program even features a secular resurrection of sorts, as we conclude our Phoenix season with Corette’s concerto for viols: Le Phénix.




Program


Tombeau for 2 viols                                        Marin Marais (1656-1728)

 

Divine Hymn “Lord, what is Man?”               Henry Purcell (1659-1695)

 

Chorale Suite              Esaias Reusner (1636-1679)

Passiontide chorales and arias for Baroque Lute


“Mein Heiland, Dich Vergeß Ich Nicht” [St Mark Passion] Johann Sebastian Bach (1685-1750)

 

Cantata Sacra “O Spettacolo Pur Troppo Funesto”    Giovanni Battista Ferrandini (1709-1791)

 

Concerto in D Major: Le Phénix                                 Michel Corrette (1707-1795)


Admission is free.


Please consider making a donation to the Dryden Ensemble.


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If you are interested in sponsoring a musician or a concert,

please send an email to: drydenensemble@gmail.com.


Meet Dryden's New Artistic Director,

Lutenist Daniel Swenberg

Daniel Swenberg plays a wide variety of lutes and guitars: baroque, renaissance, classical/romantic--small, medium, and large. He has been a regular with the Dryden Ensemble for over 15 years. Daniel schleps instruments throughout North America and Europe to play with a wide range of ensembles: the Metropolitan Operan, Carmel Bach Festival, Jordi Savall and Le Concert des Nations, on Broadway with Mark Rylance in Farinelli and the King, Mr. Jones & the Engines of Destruction, Opera Atelier/Tafelmusik, The New York Philharmonic, the Philadelphia Orchestra, Catacoustic Ensemble, Handel & Haydn, and many others. He has also accompanied Renee Fleming and Kathleen Battle at Carnegie Hall.


Daniel is on faculty at Juilliard’s Historical Performance program. He received awards from the Belgian American Educational Foundation (2000) for a study of 18th century chamber music for the lute, and a Fulbright Scholarship (1997) to study in Bremen, Germany. His programing integrates and emphasizes music with the history, sciences, economics, politics, and broader culture of its time—from Weiss to vice.

Meet Soprano Clara Rottsolk

Photo credit: Hans-Dieter Brand

 Clara Rottsolk has been lauded by The New York Times for her “clear, appealing voice and expressive conviction.” She specializes in historically informed performance practice, singing with the American Bach Soloists, Santa Fe Pro Musica, Colorado Bach Ensemble, Trinity Wall Street Choir, and Seraphic Fire. She has performed at the Carmel Bach Festival, Philadelphia Bach Festival, and Boston Early Music Festival. A native of Seattle, Ms. Rottsolk earned music degrees at Rice University and Westminster Choir College and was awarded recognition for musical excellence by the Metropolitan Opera National Council. Currently she is based in Philadelphia and teaches voice at Swarthmore, Haverford, and Bryn Mawr Colleges.

Meet Gambist Arnie Tanimoto

Arnie Tanimoto, viola da gamba. Gold medalist and first-ever American laureate of the International Bach-Abel Competition (2018) Arnie Tanimoto has established himself as one of the foremost viol players in the United States. He has performed and recorded with Barthold Kuijken, Enrico Gatti, the Boston Early Music Festival, and the Smithsonian Consort of Viols. In 2017 he was awarded with a Frank Huntington Beebe Fund Fellowship and subsequently finished his studies at the Schola Cantorum Basiliensis. His principal teachers include Paolo Pandolfo, Christel Thielmann, and Catharina Meints. He also holds degrees from Oberlin Conservatory and the Eastman School of Music.

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