Of Pumpkins and Politicians
Saturday, November 7 at 4:00 PM
Unitarian Universalist Congregation50 Cherry Hill Road, Princeton NJ
Our Season Opener
Program
The program opens with Renaissance lutes in a suite of trios by John Dowland, in observance of the 400 th anniversary of his death. This is followed by a canzona by Piccinini, a brilliant example of a late contrapuntal work for three lutes in different sizes and tunings. Baroque lutes and guitar will be featured in Mauricio Cazzati’s Balletto Quarto and in a suite from Nicola Matteis’s False Consonances of Music a didactic work for the wildly fashionable baroque guitar. Also performed by lutes and guitar are tunes from Henry Purcell’s Dioclesian found in Princess Anne guitar book, including Purcell’s famed Two Parts on a Ground. Francesco Corbetta was an Italian guitar virtuoso who later lived in London and Paris, serving both Charles II and Louis XIV. His Sinfonia à 2 and an occasional piece entitled The Trumpets and Drums of the Siege of Maastricht will be performed by guitars.
The program continues with works for three Baroque lutes, including the North American premiere of Ludwig Von Radolt’s Concerto I in D Minor from his 1701 work, The Most Faithful Companion, an extraordinary collection of ensembles and concertos for the baroque lute. For years, this collection was thought to be incomplete. Only recently have the missing volumes been recovered. Concluding the concerts is Georg Muffat’s magnificent Passacaglia in G, utilizing Radolt’s ensemble, based on a late 17th-century setting for the first lute.
Heinrich Albert’s Pumpkin Patch:
Die Musicalische Kürbshütte
I. Mit der Zeit ich bin kommen
II. Mensch, hierinnen sind wir gleich
IX. Die Zeit und wir verghen!
X. Ich und meine Blätter wissen
XI. Ob ich gleich muss bald von hier
XII. Ich habe schon vernommen
H. Albert (1604-1651)
H. Albert (1604-1651)
Der Dichterkreis (The Poet’s Circle):
from Commonplace (lute) book
Jetzund kömpt die Nacht
d- viol piece
Turpe senex
Sonatina
“O Einsamkeit”
Passacaglia in d
J. Stobaeus (1580-1646)J Nauwach (c. 1595-1630)J. Kremberg (1652-1715)H. AlbertE. Reusner (1636-1679)J. Krieger (1751-1735)
J. Stobaeus (1580-1646)J Nauwach (c. 1595-1630)J. Kremberg (1652-1715)H. AlbertE. Reusner (1636-1679)J. Krieger (1751-1735)
The Marvelous Mr. Meusel:
Concerto for Lute, Oboe, Viola da Gamba, and Bass
I.Andante, II.Un poco Vivace, III.Adagio, IV.Tempo di Menuetto
G. Meusel (1688-1727)
G. Meusel (1688-1727)
INTERMISSION
In Pimps & Politicians: Broadside Ballads
“How Vile are the sordid Intrigues”
“In Pimps & Politicians”
The Devil’s Dream
A Touch on the Times
H. Purcell (1659-1695)
H. Playford pub. (16 )anon Broadside Ballad
H. Purcell (1659-1695)
H. Playford pub. (16 )anon Broadside Ballad
Ayres for the Flute:
Grave
Ground to make the Hand
Aria Amorosa
Ground after the Scotch Humour
N. Matteis (c. 1650-1713)
N. Matteis (c. 1650-1713)
Recognizing economic Bubbles:
Ballads and selections from the First Suite in A Major
Ouverture
The Hubble Bubble
Courante & Sarabande
“For our long Abiding here”
Gigue
C. Dieupart (1676-1751)
T. D’Urfey
Anon Broadside Ballad
C. Dieupart (1676-1751)
T. D’Urfey
Anon Broadside Ballad
Meet Our Artists
Priscilla Herreid,recorder & baroque oboe
Nell Snaidas,soprano
Caitlyn Koester,harpsichord
Daniel Swenberg,lute
Lisa Terry,viola da gamba